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Syntax Preaching, 1813. Artist: Thomas Rowlandson

Syntax Preaching, 1813. Artist: Thomas Rowlandson


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Syntax Preaching, 1813. Artist: Thomas Rowlandson

Syntax Preaching, 1813. Dr Syntax preaches from a pulpit with a sounding board over it. The pews are reserved for the moneyed classes (a servant sits outside the pew), while the poor stand at the back of the aisle. From The Tour of Dr Syntax in Search of the Picturesque by William Combe. (London, 1813)

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Media ID 14847192

© Ann Ronan Picture Library / Heritage-Images

Class Class Divide Combe Doctor Doctor Syntax Dr Syntax Physician Preaching Pulpit Rowlandson Thomas Rowlandson William Combe Ann Ronan Pictures Aquatint


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EDITORS COMMENTS
The captivating print titled "Syntax Preaching, 1813" by Thomas Rowlandson offers a satirical glimpse into the social dynamics of early 19th-century England. Depicting a church interior, the artwork showcases Dr Syntax passionately delivering his sermon from an elevated pulpit adorned with a resonating board. The pews in front are exclusively reserved for the affluent classes, as indicated by a servant sitting outside one of them, while the less fortunate stand at the back of the aisle. This cleverly crafted cartoon highlights the stark class divide prevalent during that era. Through vibrant colors and meticulous details, Rowlandson skillfully captures both male and female characters representing various societal roles and occupations. Notably, Dr Syntax himself is portrayed as a physician—a nod to his creator William Combe's earlier work featuring this fictional character on humorous adventures. Beyond its comedic value, this print delves into deeper themes such as religion and science coexisting within society's fabric. It prompts contemplation about how faith intersects with social structures and individual experiences. With its rich historical context and artistic brilliance, "Syntax Preaching" serves as an insightful commentary on British society at that time. This aquatint masterpiece invites viewers to reflect upon issues of class division while appreciating Rowlandson's exceptional talent for satire and storytelling through visual artistry.

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