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The Emperor unveiling Italian Liberty, 1859
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The Emperor unveiling Italian Liberty, 1859
The Emperor unveiling Italian Liberty, 1859. Here, upon a plinth labelled Liberty, Louis Napoleon unveils a crude statue of his cousin Plon-Plon and introduces him as the representative of Italian Liberty. Plon-Plons reputation for being less than bright is clearly illustrated in his vacuous expression and silly posture. Punch reports that, at this time, it was believed that one reason that Napoleon III had become involved in Italys fight for freedom from Austrian domination was that he cherished hopes of seating his cousin, Prince Napoleon Joseph Charles Bonaparte, known in Paris contemptuously as Plon-Plon, upon the throne of Italy. From Punch, or the London Charivari, October 1, 1859
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Media ID 14829297
© The Print Collector / Heritage-Images
Bonaparte Charles Louis Napoléon Charles Louis Napoleon Bonaparte Cousin Emperor Napoleon Iii Heritage Image Partnership Ladder Liberty Louis Napoleon Napoleon Bonaparte Iii Napoleon Iii Plinth Prince Napoleon Unveiling
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EDITORS COMMENTS
In this intriguing 19th-century engraving titled "The Emperor unveiling Italian Liberty, 1859" we witness a moment of political satire and familial ambition. The image captures the grand unveiling of a crude statue representing Italian Liberty, with Louis Napoleon, also known as Napoleon III, at its center. Standing on a plinth labeled "Liberty" the emperor reveals his cousin Plon-Plon to the world as the embodiment of Italian freedom. However, what strikes us immediately is Plon-Plon's vacuous expression and comical posture, highlighting his reputation for being less than bright. According to Punch magazine's report from that time, it was believed that Napoleon III involved himself in Italy's struggle against Austrian domination because he harbored hopes of placing Plon-Plon upon Italy's throne. This satirical cartoon provides insight into the complex politics and ambitions surrounding European royalty during this era. It portrays both the familial connections between powerful figures like Napoleon III and their desire to extend their influence beyond national borders. The black-and-white print showcases not only historical significance but also serves as a reminder of how art can be used to convey political messages through caricature and satire. As we observe this heritage image partnership between Napoleon Bonaparte III and Prince Napoleon Joseph Charles Bonaparte—both key players in shaping European history—we are reminded of the intricate web woven by power dynamics within royal families during the 19th century.
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