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Byzantine ivory showing Pilate condemning Christ and the denial of St Peter, 5th century

Byzantine ivory showing Pilate condemning Christ and the denial of St Peter, 5th century


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Byzantine ivory showing Pilate condemning Christ and the denial of St Peter, 5th century

Detail of a Byzantine ivory panel from a casket, showing Pontius Pilate condemning Christ and the denial of St Peter, 5th century

Heritage Images features heritage image collections

Media ID 14858009

© CM Dixon / Heritage-Images

5th Century Byzantine Byzantium Condemned Crucifix Denial Ivory Peter The Apostle Pilate Pontius Pontius Pilate Saint Peter Simon Simon Cephas Simon Peter St Peter Mike Dixon


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> Europe > Italy > Rome


EDITORS COMMENTS
This print showcases a remarkable Byzantine ivory panel from the 5th century, depicting two significant events in Christian history. The intricate details and vibrant colors of this artifact truly bring to life the biblical narratives it portrays. In the foreground, we witness Pontius Pilate, the Roman governor of Judea, condemning Jesus Christ to crucifixion. The solemn expression on Pilate's face reflects his internal struggle as he makes this fateful decision that would forever shape Christianity. Meanwhile, in the background, St Peter is depicted denying his association with Jesus three times before the rooster crows, fulfilling Jesus' prophecy. The craftsmanship of this Byzantine artwork is awe-inspiring; every delicate line and curve tells a story of faith and devotion. This piece serves as a powerful reminder of the significance of these historical events and their impact on religious beliefs. As we gaze upon this ancient ivory panel, we are transported back in time to witness these pivotal moments unfold before our eyes. It serves as a testament to the enduring power of art in preserving history and conveying profound spiritual messages across centuries. This print captures not only an exquisite work of art but also invites contemplation on themes such as sacrifice, redemption, and human fallibility within religious contexts. Its presence evokes reverence for both its artistic merit and its ability to connect us with our shared cultural heritage.

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