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Britannia between Death and the Doctor s, published by Hannah Humphrey in 1804
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Britannia between Death and the Doctor s, published by Hannah Humphrey in 1804
NCO191219 Britannia between Death and the Doctor s, published by Hannah Humphrey in 1804 (hand-coloured etching) by Gillray, James (1757-1815); 25.8x38.1 cm; Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: William Pitt (1759-1806) rescues England from the Ministry of Henry Addington (1757-1844); kicking Prime Minister out the door; trampling on Charles James Fox (1749-1806); Napoleon Bonaparte (1769-1821) as a skeleton; ); English, out of copyright
Media ID 22599704
© Bridgeman Images
Administration Ailing Expelling Feeble Gleaming Liberty Cap Menacing Mess Olive Branch Overturned Table Political Satire Potion Prone Remedy Rescuing Shining Skeletal Swooning Threatening Tricolour Union Jack Unwell Upset Vulnerable Weak Miracle Cure Sprawled Tincture
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EDITORS COMMENTS
This print titled "Britannia between Death and the Doctors" is a remarkable piece of political satire published by Hannah Humphrey in 1804. Created by James Gillray, this hand-coloured etching measures 25.8x38.1 cm and is currently housed at New College, Oxford. The artwork portrays an intriguing scene where William Pitt, the hero of England, rescues the nation from the clutches of Henry Addington's ministry. With his foot kicking out the door, Pitt tramples on Charles James Fox while Napoleon Bonaparte appears as a skeletal figure in the background. The composition cleverly depicts various symbolic elements to convey its message. The weak and feeble administration is represented by spilled bottles and gambling dice, while a female figure holds an olive branch symbolizing peace. Meanwhile, Pitt stands tall as he administers medicine to heal Britannia's ailments. Gillray's satirical cartoon highlights the turmoil of British politics during that era with its sharp wit and biting commentary on current affairs. The image captures a sense of vulnerability for both Britain and its leaders while also showcasing their resilience in times of crisis. Through meticulous engraving techniques and attention to detail, Gillray masterfully brings this political narrative to life. The use of light and shadow adds depth to each character's expression, emphasizing their roles within this complex tableau. Overall, "Britannia between Death and the Doctors" remains an enduring testament to Gillray's artistic prowess as well as his ability to capture significant historical moments through visual storytelling.
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